Review: Jurassic World

Starring Chris Pratt, Bryce Dallas Howard, Jake Johnson

Review: Entourage

Starring Adrian Grenier, Kevin Connolly, Jerry Ferrara, Kevin Dillon

Review: San Andreas

Starring Dwayne Johnson, Alexandra Daddario, Carla Gugino

Review: Ex Machina

Starring Alicia Vikander, Oscar Isaac, and Domhnall Gleeson

Review: Pitch Perfect 2

The Pitch is Back!

Showing posts with label Sarah Silverman. Show all posts
Showing posts with label Sarah Silverman. Show all posts

Friday, May 24, 2013

Review: Wreck-It Ralph

I’m not an animated movie guys.  I’ve properly stated this about a hundred times in this space, but every once in a while I will run out of things to watch or there will be an animated film that my girlfriend wants to see that will necessitate my giving one a look.  In the case or Wreck-It-Ralph, both scenarios came into play.  After one hundred and eight minutes of eye popping pastels and fluorescents, I came to the conclusion that Wreck-It-Ralph slots itself somewhere towards the upper end of the scale of the animated movies that I’ve seen - meaning I wouldn’t go out of my way to see it, but I also didn’t want to throw the remote at the television.  So what does this mean for you?

Well, let’s start with the premise.  The plot of the film tells the story of a video game villain named Wreck-It-Ralph (voiced by John C. Reilly), who has grown tired of playing the bad guy and aspires to become a hero.  When he sets out across the virtual world of his arcade to win a medal and achieve his dreams, he find that his journey wreaks havoc and threatens the fabric of all the games and the very arcade in which he resides.

A bit of a backstory to this movie involves Disney’s acquisition of Pixar.  Back when the deal went down, a lot of industry insiders wondered allowed if Pixar would be “Disnified” and if as a result, the onscreen product would suffer.  This was a legitimate concern given Disney Animation's recent history of spotty theatrical releases.  However, Pixar has for the most part been left to run as its own entity and judging by Tangled and Wreck-It-Ralph, has in fact effectually influenced Disney Animation.

The result then is a sleek movie with visuals that pop off the screen.  The animation is top notch and no stone is left unturned to foster any character that can provide a financial windfall for the Disney Consumer Products Group.  The story is creative-enough with just enough likability to grab both children and adults alike with such universal themes as friendship and loyalty and the plot provides a payoff worthy of the time invested. 

What stood out best about this movie is the voice work of John C. Reilly as Wreck-It-Ralph.  His voice, inflection, and timing lend itself perfectly to the character, who is a physically intimidating, but softhearted guy who always finds himself on the outside looking in.  Reilly’s ability to capture that with his voice work really keeps the film afloat.  Another aspect of the film that really worked was the appearance of some video game characters from classic games long past their prime.  Their respective appearances were a nice nod to the gaming community and provided some of the best comedic moments in the film. 

What didn’t work so well was the voice work of Jane Lynch (as Calhoun – a soldier) and Sarah Silverman (as Vanellope – a race car driver).  Lynch has a distinct very dry delivery that lends itself to blunt sarcasm and portraying mean streaks and in a lot of ways, her casting makes sense for what director Rich Moore was trying to achieve with this character.  But her work always feels out of place in the reality of this film and I could not help but always be aware that it was Jane Lynch speaking.  This proved damaging for the character.  As for Silverman, while her work never took me out of the reality of the film as she did a better job of disappearing into the character, I found her tone, inflection, and some of the choices she made very grating on the sense.  Her character is a key element to the film and for a film that banks on likability for its success; I found hers to be the least likable of the protagonists.

As for the rest of the cast, Jack McBrayer (Fix It Felix), Dennis Haysbert (General Hologram), Ed O’Neill (Mr. Litwak), and Alan Tudyk (King Candy) do a decent job of vocally bringing the members of this digital world to life – with Tudyk, of Dodgeball fame, standing out as the best of the rest.

In the end, I think that most people will enjoy this film. It has a moderately creative story with the right amount of sentimentality to keep you engaged with the characters’ plights.  If you have children this is a must see, but if you’re like me and not the biggest proponent of animated films, you may want to catch this on free television on a slow night.  While I haven’t changed my stance on animated films, I like the direction that they are going towards and should this trend continue, will look to put a few more on my movie queue.   


Standout Performance: John C. Reilly.  He does a great job of capturing the essence of Wreck-It-Ralph and ably carries the film.

Thursday, November 8, 2012

Review: Take This Waltz

















Does realism make for a great movie?  That’s a question put to the test in Take This Waltz.  On some level you watch a movie for the escapism, for the sensationalism, for the unnatural acts that you are sure to never see while walking the lines of social norms.  We watch movies to see Emma Watson and Dan Radcliffe wield magic wands, to see businessman Richard Gere woo prostitute Julia Roberts, and to see Bruce Willis drill a hole in a doomsday asteroid to save humanity (okay, maybe not the latter).  But the point is, if you really wanted to see a true to life narrative unfold, all you would need do is open your eyes and look around you.  And while Take This Waltz is not the portrait of realism, it does take this kind of approach which results in a story that is at times emotionally cutting, but ultimately slow and bland. 

The story focuses on Michelle Williams’ Margot - a woman married to Seth Rogan’s Lou, who meets Daniel (played by Luke Kirby).  Their attraction is immediate and it tests their resolve as the two try to come to grips with their feelings and navigate the complications of their entanglement. 

Writer/director Sarah Polley takes an understated approach to telling this story and on one level delivers some cinematic moments that feel genuine.  The chemistry between Kirby and Williams starts out as a strength in this capacity, but as the film moves forward it turns into a weakness as their story becomes a self-indulgent drab portrait of flawed individuals.  With redemption for the protagonists not a possibility and their entertainment value dwindling as the plot moves forward, the quality of the film plummets immensely.  It seems then the only point of the movie is to tell the story of two misguided narcissists who see fit to trample the lives of those they love for no better reason than self-indulgence.  It’s like peeking into the lives of two people, who you don’t like and who aren’t interesting; and doing so for no good reason. 

As for the cast, Michelle Williams’ performance is fairly uninspiring.  She is on this run of playing characters that are somewhat troubled, flawed, and spend half the movie in tears.  That more or less sums up her character in this movie and truth be told she has played this type of role with much greater veracity in the past.  Luke Kirby does her no favors as her accomplice in adultery.  His Daniel plays like a low rent amalgamation of a dozen similar characters peppered across the pantheon of romance-centric indie movies.  And as for Seth Rogen, he is the most competent of this triumvirate as the wronged husband, but that is not saying much.  He is muted, neutered, and lacks any of the qualities that have made him an entertaining performer in the past.

The finished product that is Take This Waltz is incredibly disappointing.  On the surface, it is one of those films that looks and feels like a good art house flick given the stated premise and the cast, but when you get past the cinematography, the soundtrack, and the names on the marquee, what you find is a story that is bland, pointless, and a little too pseudo realistic for its own good.  I would not recommend this movie unless you are looking for a movie that will push you to boredom and leave you feeling sordid and melancholic by time the credits roll.  You have been warned.


Standout Performance: Sarah Silverman.  Her performance was just satisfactory throughout the movie, but she gets the nod for the last set of lines she delivers in the film, which come the closest to adding any redeeming qualities to the movie.  

 
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