As a movie, an exercise in filmmaking, a
coherent and compelling narrative, this is an exercise in total
mediocrity. It is paint by the numbers
cinematic story telling at its worst. But
that’s okay, because that is not what the movie is about. As a vehicle to entertain, it is very
good. It pains me to say this. I almost feel embarrassed. If there were an equivalent to writing this
sentiment as a whisper (like maybe typing it in a smaller font), I would do it,
because the humor is mean, degrading, racist, sexist, and a bunch of other
“ists” that I cannot think of, but it works because everyone is fair game – and
there is an odd sense of equality in that.
The fool is a fantastic vehicle to poke fun
at the foibles of society and to ridicule social norms and Baron Cohen’s
Aladeen is a total fool up to the task. As a man in a vacuum, he is a
walking bag of discrimination and insensitivity that plays like a destructive
force against all that we consider right and proper. But before you get the impression that this
is some intelligent commentary on society, let me reassure you that it’s all mostly about generating raucous laughter. In fact there is only one moment when Cohen tries to stand on the proverbial soapbox, and that is precisely the same moment when the film
comes to a screeching halt.
As for the rest of the cast:
Anna Faris is not at her dynamic best. She sheds her usual spunky and vacuous persona for an overly zealous activist who is eerily similar to a girl I met many years ago from Wellesley College who was angered because I referred to myself as a freshman instead of a first year.
Ben Kingsley is present in this film, which
is the best that I can say. Seeing him
in this movie, I feel the same way I did when I saw him in The Love Guru (Mike Myers at his worst) – which is to wonder “why.”
John C. Reilly and Ed Norton make small
appearances in the film, but special kudos goes out to Megan Fox for finally
finding a role that suits her perfectly.
But really the cast beyond Baron Cohen is
just window dressing, because The Dictator is a one-man show. I would recommend this movie even though
there is going to be a segment of the population that will be turned off by the
humor. If you can appreciate a
free-for-all mosh pit approach to comedy where no joke is off limits and
everyone is fair game, then you will definitely enjoy this movie. It is not as good as 21 Jump Street, but it
is one of the better comedies that I have seen thus far in 2012.
Standout Performance: Jason Mantzoukas as Nadal – Baron Cohen’s partner in crime – is a great straight man to walking punch line that is Aladeen.
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