Tom Hanks and Julia Roberts are the two draws to this movie
but their cache is not enough to keep this film from plunging into the depths
of apathy. In fact, their presence
detracts from what few merits there are about this film, as clearly their
respective star powers have diminished.
What makes it onto screen are two performances completely void of the
vitality and charisma that planted Hanks and Roberts firmly onto the
A-list – this seemingly the result of years of complacency combined with Nia Vardalos’ and Tom Hanks’ milquetoast script.
It is not quite to the level of watching the 1972-version of Willie Mays stumbling around the
outfield as a New York Met, but their respective drop offs are palpable.
Hanks is at his tolerable best when he is acting opposite
Gugu Mbatha-Raw’s Talia, who shines as Crowne’s youthful newfound life
coach. She is funny and her free spirit
brings energy to the middling proceedings.
The strength of their dynamic though is problematic to the film, because
the chemistry between Hanks and Roberts – which is supposed to be the driving force in the
film – pales in comparison. In fact, the
best scenes in the movie are those that involve the supporting cast. Rami Malek, Malcom Barret, George Takei, and
Wilmer Valderama inject a little bit of life and some light-hearted humor to
offset the real world issues plaguing the protagonists.
You really do not need to see this movie. You probably know someone who is living Larry
Crowne’s life and probably doing so in a much more interesting fashion. If this movie is to be viewed, then in my
mind it is best watched on cable on a night when you find yourself in front of
the television with some other work to do.
If you are a Julie Roberts fan, then you’re better off avoiding this one
and waiting for the much-anticipated Mirror, Mirror. As for Hanks, he can be seen in the Oscar nominated Extremely Loud & Incredibly Close.
Standout Performance:
Gugu Mbatha-Raw as Talia turns in a refreshing performance.
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