Co-directors Henry Joost and Ariel Schulman make sure that all
the usual Paranormal Activity conventions are present in the latest prequel –
unsteady cameras, night vision, cheap thrills, date and time stamps, and
mediocre acting, giving the film the same look and feel as its
predecessors. While these are the
mechanisms that made movies one and two cult hits, they are precisely the
reason that number three seems to lack the same vigor and punch. All the setups have become overly familiar and
all the visual cues seem far too choreographed.
So while false scares still account for a handful of pulse-raising gags,
the true pivotal moments in the film appear completely telegraphed.
That’s not to say that there are some good things about the film. Christopher Nicholas Smith does a decent job
as the perfectly affable man-behind-the-camera lacking just enough common sense
to make sure that reason does not get in the way of the slaughter that is sure
to come and Dustin Glitz brings a nice bit of comic relief to the otherwise
tense proceedings. Unfortunately, their
respective performances are not enough to usurp the shortcomings of the script,
which completely unravels in the third act when the film tries to flesh out the
origin of the menace we were first introduced to in the original film.
As for the rest of the cast, Lauren Bittner is uninspired as
Julie – the mother of Katie and Kristi, while Chloe Csengery and Jessica Tyler
Brown as the tormented sisters are utterly as pedestrian as child actors come. However, the strength of the series has never
been the acting chops of the respective casts, but instead the conventions and
execution of the film. When you consider
that the first film was an unknown project with a budget of $15K that went on
to become one of the most successful films in cinematic history based on ROI
($107M domestic), then perhaps one can conclude that perhaps this film felt
like a disappointment simply because it came with higher expectation.
Paranormal Activity 3 opened this past weekend at $54M
(estimated) to account for the largest October opening ever and it will be
interesting to see how word of mouth affects its second weekend take. If you are a thriller junky you should see
this film because it will give you the occasional scare and seeing it in the
cinema will definitely will heighten the experience. For the average viewer though, I would watch
it as a rental. It is not groundbreaking
and not clever, but it is just entertaining enough to make the experience not a total
waste of time. However, be warned; even
a mediocre horror film such as this one will make you start to wonder what that
noise coming from your closet is.
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