As much as I enjoyed Matt Damon’s “The Bourne Identity,” the
one black mark on the film for me is that it ushered in this era of the
prolific use of an unsteady camera in action sequences. And as well as it worked in that film (and in
other subsequent films), like any good thing in Hollywood it’s use has gone
from moderate to the obscene (see Michael Bay’s Transformers). So what is most refreshing about Brad Bird’s
“Mission Impossible:...
